Behind–the–scenes: Aspects of a film reception. The case of The Independence of Romania (Aristide Demetriade, Grigore Brezeanu, 1912) and The Rest is Silence (Nae Caranfil, 2007)

The foreign reader Patio Occasional Table and viewer can find nothing better -or faster, given the exigencies of modern life- than the film as an introduction to the character, history, identity of a nation.With the awards garnered by directors like Cristian Mungiu and Nae Caranfil, new interest has been focused on Romania’s film, community, and

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